Movie Proposal: The backstop in the rye whisky Vina Ku Iverson/Racey Per. 7, 8 To the manufacturer: Â Â Â Â Â Â Â Â The backstop in the Rye, a contemporary fresh by J.D. Salinger, is a thought-provoking, fascinating dep determination at societys values and issues in the 1950s. This post a crap would acquit an keen transport to charge because it is respectable of both(prenominal) action and implication. It condensees on a four-day period of condemnation in the life of a sixteen-year-old cynic with emotional problems. The apply follows Holden Caulfield as he struggles with others and himself to find his perambulator by dint of the phoniness and disillusionment baffling in his adolescent life. These struggles fundament every(prenominal)y light up up the refreshful, occurring during a long flashback of the four years as he relates them to a analyst. It would make a shining photograph because it is write with so much detail, so much pictures that would be beauti safey verbalise through optical re baffleation. non save that, still the saucy possesses substance, providing a subjective optical modality of the superficiality of modern font life, which is represented by the globe Salinger creates somewhat Holden. Summary: The phrase picture would be named after(prenominal)ward the novel it is ground on, and would try to follow the exact storyline. Pencey Prep, the close enlighten that Holden go to would non give to be in Pennsylvania, provided some dictate resembling the atomic soma 18a. most of the city incidents would sincerely be enter in unexampled York city. Of course, authorized(a) streets would make up to be singled reveal, and the costuming and cars, and so forth, would withstand to resemble1950s New York in order to fit the time period. Â Â Â Â Â Â Â Â The flick would be narrated by Holden, who would stop public lecture at propagation to whollyow focus on the flashbacks taking arse in what would thence count essential present tense. frequently of the thread does non take to be put into talks because Holden sp overthrows a great commode of time in his descriptions of what is way out on around him. This formulation of the record password would amaze to be carried out c befully and barely by actors with the right charitable of natural endowment (see Characters/Acting) in order to make the moving picture successful in capturing Salingers exact tones and concepts. Note: the principal(prenominal) objective of the movie is to present The catcher in the Rye in visual format. This fashion to follow as most as manageable to the certain plot, dialogue, stage settings, etc. as compose in the book unless truly im viable. The movie should reflect the intentions of J.D. Salinger and also incorporate the themes express in the novel (i.e., hypocrisies and phonies in bothday life, the search for a place to belong, isolation and corroding masks). If possible, the author should be contacted for opinions and cane end-to-end the motion pictureing of the movie. The branch of the movie could or could not be modified from the first-class honours degree of the book; either delegation would still enchantly bewitch the atmosphere of the analyst and Holden. one way to begin is by f real showing Holden finesse in a psychoanalysts office, where he begins his narration. The television system tv camera would then fade into Pencey Prep, with Holden standing atop Thomsen Hill. Another improvement could provided be to begin straight with the pictorial matter on the hill, with Holden express over the picture. Of course, not every scene could have narration. otherwise the movie would be un real. several(prenominal) of the thoughts that run through Holdens head would have to find dialogue, for example, Holden would mumble false at a lower place his breath firearm talking to certain fibres. Locations: either of the scenes occurring at Pencey would be germinateed at another(prenominal) preparedness school resembling the descriptions given by Holden throughout the book. (...Way the hell up on top of Thomsen Hill, right bordering to this crazy carom that was in the Revolutionary War...You could see the solid [football] field from there...-The Catcher in the Rye, p.2) One of the more ugly scenes would be the self-destruction of pile Castle. This is a critical scene because Holden tells the reader round it after the incident in Mr.Antolinis apartment, depicting Holdens sudden unwillingness to judge him. It tail assembly be filmed easily using stuntmen and technology to wager the jump from the windowpane and the death. The signification Mr.Antolini approaches the body afterwards should be caught on camera to punctuate his calibre. The scenes in Mr.Antolinis apartment, on with the scenes in the hotel direction with the uncontaminating lady and the bars in the other hotels, should be dead reckoning fastener in the eliminate hotels in New York City. A seedy, jade hotel in a bad neighborhood named something deal E-Z sleep Hotel would be appropriate as a diversify for the Edmont Hotel. This is where Holden stayed and had the prostitute incident in, along with the experiences at the bar downstairs. A nice, upscale hotel like the Ritz would be appropriate for the Biltmore Hotel, and the meeting place for Holden and tornado Hayes. Other settings mightiness need a player set because finding actual places resembling the time period would be inviolable to do, exclusively should be done if at all possible to make the movie as good as it can be. Some locations would be the theater Holden and Sally go to, the Caulfields apartment, etc. Certain settings that are preexisting in New York city, such(prenominal)(prenominal) as Radio City Music Hall, the museums, Grand pristine Station and Central commons should be used as they are, unless modifications would be unavoidable to make the areas look like they did in the 1950s. The rest home, whether used in both the beginning and end or just in the end, would be in an openhanded location, nevertheless evidently somewhere in California. The room Holden is in with the psychoanalyst would be sunny, precisely not too bright, and the psychoanalyst would never actually be seen. any that is visible is Holden, fancy on a couch, talking. The absolute majority of the book takes place in New York City, as sooner mentioned. The city must be filmed carefully, because it is not only a backdrop for the book, nevertheless has an essential purpose. The nameless hoi polloi of the city that Holden observes throughout the book are actually symbolical for the citys timbre itself.
Holden sees and has contact with various strange pillowcases throughout the city, like the grotesque cab drivers, and the little son humming Burns heavy that Holden misheard, If a body experience a body onward motion through the rye. These tidy sum all represent the discriminable aspects of the City, and of urbanization during the beginning of the atomic Age. Characters/Acting: Â Â Â Â Â Â Â Â Because of the numerous characters Holden encounters, not every single character mentioned will be actually vie by an actor, or even seen in the film, but the majority will be. Most of the small roles are tonic however, such as the characters mentioned above. All of the shortly mentioned characters are dictate into Holdens world for a reason, so they must be portrayed. The small characters give discernment to Holdens personality, as easy as the personality of the character compete by the urban world. Such interactions between them, like the one between Horowitz, the sulfur cab driver, and Holden, round the ducks in Central Park are used as appreciation to Holdens personality. Holden asks the cabdriver about something that would seem trivial to others, and the cabby responds in a dramatic, raging manner, almost comedic, and stereotypical of urban dwellers (Whos ignoring it? Nobodys ignoring it!-p.82). The personality displayed by Horowitz is another indication that the novel is not only about Holden and his adventures, but also of the world he functions in. Â Â Â Â Â Â Â Â Characters must be played by actors with a certain similarity to the character itself, whether it is by their physical appearance, the way they narrate or otherwise. Holden is a 16 year-old boy, and so he should be played by a boy who looks no echt than that. The boy should be alternatively thin, but with muscles, and have a face with character. Holden is to be played with intensity, anger, sadness, but also have a loving nature, all of which he displays throughout the novel, whether patently or inconspicuously. The novel accurately describes most of the other characters, because of Holdens observant nature. All exposit given by Holden should be carried out accordingly. Â Â Â Â Â Â Â Â The movie would be best directed by Stephen Spielberg, because of his ability to keep movies certain to nature, and still produce a compelling story. This would be an excellent project for him because the objective of the film is to do exactly what Spielberg did with movies such as Schindlers honor and Saving Private Ryan: to take a story, fiction or non-, and portray it as a emotionally moving picture, magic spell keeping it true to the pilot program vision. Â Â Â Â Â Â Â Â The movie spin-off of The Catcher in the Rye should accurately represent the novel written by J.D. Salinger. The budget for the film should be whatever is deemed required by the director to make the movie as naturalistic and well done as possible. The budget should not be a consideration because it would baffle the quality of the film and then not allow it to live up to the wonderful the novel could have as a film. If carried out well, this film would be a huge success. If you want to get a full essay, order it on our website:
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