Hamlet

To be or not to be¦ Analization.          This soliloquy, in my mind is his most lucid and powerful examination of the theme of the righteous legitimacy of suicide in an unbearably painful world. It in any case includes several of the other important themes of the play. juncture poses the problem of whether to burden suicide as a logical question: To be or not to be, that is, to live or not to live. He then weighs the moral ramifications of living and dying.

Is it nobler to suffer life, the slings and arrows of outrageous fortune, passively or to actively seek to end ones suffering? He compares death to respite and thinks of the end to suffering, pain, and uncertainty it might bring, the heartache, and the one thousand natural shocks / That flesh is heir to. Based on this metaphor, he decides that suicide is a desirable course of action, a performance / Devoutly to be wished. But, as the religious word devoutly signifies, there is more to the question, namely, what will happen in the afterlife.

juncture immediately realizes this, and he reconfigures his metaphor of sleep to include the opening night of dreaming; he says that the dreams that may come in the sleep of death are daunting, that they must give us pause.                                    He then decides that the uncertainty of the afterlife, which is intimately related to the theme of the problem of attaining truth in a spiritually ambiguous world, is fundamentally what prevents all of humanity from committing suicide to end the pain of life. He outlines a long list of the miseries of experience, ranging from lovesickness to hard work to governmental oppression, and asks who would consume to bear those miseries if he could bring himself peace with a knife, when he himself might his quietus make / With a unclothe bodkin? He answers himself again, saying no one would choose to live, except that the dread of something after death makes people express to the suffering of their lives rather than go to another state of instauration which might be even more miserable.



The dread of the afterlife, Hamlet concludes, leads to excessive moral sensitivity that makes action impossible: moral sense does make cowards of us all ¦ thus the native alter of resolution / Is sicklied oer with the pale cast of thought.                           In this way, this diction connects many of the plays main themes, including the idea of suicide and death, the difficulty of well-read the truth in a spiritually ambiguous universe, and the club between thought and action. In addition to its crucial thematic content, this speech is important for what it reveals about the quality of Hamlets mind. His deeply loving nature is complemented by a relentlessly logical intellect, which whole kit and boodle furiously to find a solution to his misery. He has rancid to religion and found it inadequate to help him either butcher himself or resolve to kill Claudius. Here, he turns to a logical philosophical inquiry and finds it equally frustrating.

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